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Andrew Walkling

Dean's Lecturer
Ph.D., 1997, Cornell
Early Modern Britain and Europe, Cultural History, Seventeenth-Century Court Culture: Art/Drama/Literature/Music


 

 

Office: FA 319  
Phone: (607) 777-5251 E-mail: walkling@binghamton.edu

 

 

Recent or current undergraduate courses:

  • Tudor and Stuart England
  • Image and Space in Early Modern England
  • Literature and Politics in England, 1580-1730
  • Early Modern London: Architecture, Sound, and Space
  • British Painting from Holbein to Hogarth
  • English Literature in the Restoration and Early 18th Century: The "Augustan" Age
  • Restoration Drama, 1660-1710

    Recent or current graduate courses:

  • Renaissance/Reformation Colloquium
  • Text and Politics in 17th/18th-Century England and France
  • Seminar in Dramatic Theory and Structure: Early Modern Drama
  • Seminar in Theatre History: Medieval Theatre

    Significant Publications

  • "The Problem of 'Rondolesette Halle' in The Awntyrs off Arthure," Studies in Philology 100:2 (Spring 2003), 105-22.
  • "Masque and politics at the Restoration court: John Crowne's Calisto," Early Music 24:1 (February 1996), 27-62.
  • "Political allegory in Purcell's 'Dido and Aeneas'," Music and Letters 76:4 (November 1995), 540-71.
  • "Politics and the Restoration masque: the case of Dido and Aeneas," in Gerald MacLean, ed., Culture and Society in the Stuart Restoration: Literature, Drama, History (Cambridge University Press, 1995), 52-69.
  • "'The Dating of Purcell's Dido and Aeneas'?: A reply to Bruce Wood and Andrew Pinnock," Early Music 22:3 (August 1994), 469-81.

    Current Projects

  • Monograph: Masque and Opera in Restoration England.
  • Edited volume: John Blow's Venus and Adonis: Sources and Studies.
  • Co-editor (with Robert Thompson) of (commissioned) new edition of Matthew Locke/Christopher Gibbons/James Shirley, Cupid and Death (Musica Britannica 2; London: Stainer and Bell, original edition published 1951).